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Surendra Sai was born in 1809, in a small town Khinda about 21miles away from Sambalpur. Surendra Sai was a direct descendant from Madhukar Sai and therefore was legally entitled to be crowned as king of Sambalpur after demise of king Maharaja Sai in 1827. But he was not acceptable to the British power. Surendra Sai was a born rebel and an uncompromising enemy of the British Raj from his young age. His revolution against the British commenced from 1827 when he was only eighteen years of age and continued till 1862 when he surrendered and even after that, until he was finally arrested in 1864 – a total period of 37 years. He suffered imprisonment in Hazaribagh Jail for 17 years in course of his revolutionary career and after his final arrest for another term of 20 years including his detention of 19 years in the remote Asirgarh hill fort till he breathed his last there.
Dibakara Das is recognised as the first biographer in odia literature. He was the fifth in the preceptorial descent from Jagannath Dasa. He composed Jagannatha Charitamrita, concerning the life of Jagannath Dasa, the author of odia Bhagavata. His other works include Ekadasi Mahatmya and some Chaupadi poems. Dibakara was a Vaishnava Brahmin.Name of his proceptor was Navinkishor Das. He composed his Jagannatha Charitamrita both in Sanskrit and odia. It consists of twenty four chapters. The first, second, eleventh and the fourteenth chapters deal with certain historical events like the meeting of Chaitanya and Jagannatha Dasa, his initiation and return of the Gaudiya Bhaktas to Brindavana, his being accused before the King Prataparudradeva and his being put to test and finally his death.
Paramananda Acharya was born in 1891,He was a great scholar in history, archaeology and in the study of Archives. He combined his historical insight and perception with his literary abilities to produce monumental works on the history, archaeology and literature of odisha. After his education in a village school he studied at Amarada M.E. School and ultimately passed B.Sc. in 1933 from St. Xavier’s College, Calcutta. He worked with Ramaprasad Chandra in the Archaeological Survey of Mayurbhanj and Kahiching. Later on in 1934, he accompanied the prince of Mayurbhanj to England.
Benudhar Raut born in 1925 in the village of Harichandanpur in Keonjhar district. He did his M.A. in Odiya in 1949 from the Utkal University and joined a Government College as lecturer in Odiya. Benudhar has written primarily poetry, but he has also to his credit a number of articles on art and literature which appeared in different periodicals from time to time.
Sri Chandana Partha author of Kalabati was a vassal chief of Banapura and son of a medieval Odiya poet, named Padmanabha Narendra. Kalabati, named after its heroine, is a narrative poem in seven cantos and deals with the story of her love for the Prince of Madhubana, their union, estrangement and reunion through the intervention of supernatural forces. The story is simple and conceived, on the whole, in the puranic style, and though at times it borders on monotony, the treatment of love in separation has some poignancy and makes a direct appeal to the heart.
Bhima Dhibara A is famous in odia literature for his kavya Kapatapasha. From the surname Dhibara it can be surmised that the poet was a ‘Dhibara’ or fisherman by caste. The poem was written most probably in the 17th century. It is divided into 10 cantos, each in different metres, such as, Nalini Gouda, Bangalashri,etc. The poet possibly because of his low-caste origin does not make any pretension of great learning. His use of simple idiomatic language to express deep emotions in popular melodious metres, has made the poem popular all over the state among all sections of people.
Gopalballav Das was born in 1860,He was the younger brother of Utkal Gaurab Madhusudan Das, one of the patriots and founders of the modern State of odisha. His father was Raghunath Das and mother, Parvati Devi. Having passed M.A. examination from Calcutta University, he was appointed a Deputy Magistrate by the Government, the most covetable job for any Indian in those days under the English ruler. When the minor king of Keonjhar was installed on the thronej Gopalballav Das worked as superintedent of that State.
Bibhuti Pattnaik is a prolific writer of novels and short stories, teaches Odia literature and language in a college. The locale of his novels varies from the rural landscape to the royal palace or to the centres of modern civilization, their popularity depending mainly upon the romantic appeal. The prominent theme of his novels is often a deep emotional man-woman relationship, and varied experiences of love contribute to the intense fervour in his novels.
Raghu Arakhita was a great devotee of Lord Jagannath. Reference to this devotee occurs in Madalapanji, the chronicle of the temple of Lord Jagannath, and in a few other ancient literary works. It is probable that he lived during the reign of Prataprudra Deb (1497-1540), the Gajapati king of odisha, and was perhaps a contemporary of Sri Chaitanya. Rama Das (18th c.) in his Dadhyata bhakti, a popular biographical work in verse, has elaborately written about the life of this devotee.
Durga Charan Parida was born in 1929.He did his M.A. from Santiniketan; West Bengal. A poet of post Independence odia literature, his poems composed in couplets and short stanzas, speak of his deep sense of involvement and personal love. The first collection of his poems, Indrayudha (1961), bears the imprint of his passionate love, intimacy of experience and romantic vision of life. Most of the poems included in this volume are pure lyrics and are rich in visual imagery and symbols.
Manoj Das was born in 1934.He is a prominent writer in odia and English. In his career as a student he was attracted towards the leftist political philosophy. A deep humanistic note is noticed in all his works. Prominent among his short story collections are Manoj Dasanka Katha O Kahani (winner of the Sahitya Akademi award in 1972), Dhumrabha Diganta O Anyanya Kahani, Abu Purusha O Anyanya Kahani and Laxmira Abhisara.
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