Pictorialists who came to New York from Ohio and at last established a school gave to Pictorial photography. Other American Pictorialist picture takers, like F. Holland Day (33.43.158), who had mounted the primary significant presentation of American Pictorial photography in 1900 — The New School of American Photography at the Imperial Visual Society in Britain — decided to keep up with autonomy from the gathering to seek after tasteful objectives from Stieglitz's obstinate and frequently domineering character. were shedding Pictorial photography's painterly veneer to advance an unvarnished showcase of the medium's regular strength — specifically, its ability for delivering an honest delivering of conceptual
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